Cover and Back illustration for Xfuns Magazine

Nate Williams was asked to contribute to the Insights section on the Design Interact website. Insights is a Q&A section that features someone in the design industry philosophizing about some aspect of the industry that’s important to them. Design Interact is the premiere source of information and inspiration for the interactive media industry and is part of the Commarts network.

http://www.commarts.com/insights/importance-experience.html

Wow! Society of Illustrators really treated me well this year. I can’t believe it, I won 5 awards in total! Thanks guys!

Gig in the Sky- Advertising - I created this cd cover to fold out glow in the dark poster for the Brazilian trend tracking agency, Box 1824. I was asked to create an image to accompany an electronic music compilation.  When I listened to the music it was dream and I made me feel like I was in outer space and floating in the ocean at the same time .. so for the concept I wanted to mix deep sea with deep space.

Utne Reader- Editorial - This image was for an article about how lots of the “green marketing” is always that green.  For example, a product might say organically grown cotton, but fails to mention it used extremely unfair cheap labor. The the article basically advocated ignoring green related marketing, hence the lady walks on by :)

Juxtapoz- Institutional category- Juxtapoz magaine asked me to create a design for a silkscreen poster on whatever topic I’d like.  So I choose to make a little social commentary on how traditional media sources are becoming less and less reliable.

Re:vision- Advertising - This poster was to show how urban planning can incorporate environmental considerations into the design process. I wanted to show how building can accommodate nature vs. nature accommodating building.

Zeke Bazaar #2 - Silver Medal - This was a poster where I wantd to show the beauty in the human emotional spectrum .. happiness,sadness, anger, jealousy, peace, love, hate .. its all what makes us human

December 2007 - http://www.n8w.com

For Sale

• Silkscreen Prints - as always prints are available at http://www.n8w.com/newweb/for-sale.php
• Juxtapoz Poster - http://shop.juxtapoz.com/detail.php?id=202

New Work

	Guillermo Divito My contribution for a book series by Fantagraphics called ARF.
	Winter Exercise Editorial illustration for an article about winter exercise.
	Advice for new illustrators Some tips for illustrators starting their career.
	Sherlock Holmes Silkscreen print for the MALBA Silkscreen image for the 6 artist series curated by Tristan Rault and printed by Luciano Murua to be sold at the MALBA (Buenos Aires)
	Atypica Magazine #28 Cover for Argentine Magazine ATYPICA
	The SOCIETY OF ILLUSTRATORS - Silver Medal The SOCIETY OF ILLUSTRATORS awarded this piece, I did for ZEKE BAZAAR #2, The Silver Medal in the Book category of the 50th Annual Exhibition.
	Why People Stay at Their Jobs? Editorial illustration for an article about WHY PEOPLE STAY AT THEIR JOBS.
	CRIMINAL BOOK COVER Hand lettering for the book CRIMINAL by Caspar Walsh
	Tin Cup Serenade Album cover Here is an album cover I did for the band Tin Cup Serenade.
	Poster available at juxtapoz magazine 18×24 inch poster available at juxtapoz magazine
	My First Experience new book coming out by XFUNS, IdN, X-CUP Magazine (Bilingual Magazine)
	TRIMARCHI DG 2007 The 2007 TRIMARCHI DG event in Mar Del Plata was amazing. Non-stop inspiration for 3 days, motion graphics, designers, illustrators, live music, skateboarding, people from many countries and much more.
	High-Tech Hot Spots America’s hot spot for tech jobs may surprise you.
	MBA Guide Here is an illustration and some hand lettering I did for Canadian Business Magazine
	Dell Computers Are you tired of singing the Blues?
	Chalkboard Lettering Here is lots of hand drawn lettering for the Tu Ciudad Magazine out of Los Angeles.
	Communication Arts: Fresh Column I was featured in the Fresh column of the current September/October 2007 issue of Communication Arts Magazine.

Totally funny

pole dance
http://www.youtube.com/watch?v=cQPTsQADDZk

cheerleaders
http://www.youtube.com/watch?v=j9b1C9iwt_g

news bloopers
http://www.youtube.com/watch?v=zUM-mR_VbBA

My contribution for a book series by Fantagraphics called “ARF”. Portrait of the Argentine 1950s girlie cartoonist Guillermo Divito.

People often write me to ask how I got started as an illustrator and if there is any advice I can give them regarding making a career out of illustration. When I first started my illustration career, I wrote illustrators that I admired (Jordin Isip, Modern Dog, Kirsten Ulve) and they were very generous with their information/expertise.  I would like to pass the good vibes on so I wrote this article to help out new illustrators. Hopefully, you will find something useful in this article.

Unique Consistent Style

The first step to a successful illustration career is to find your voice - a unique consistent style. A lot of artists have trouble committing to one style at first because it kind of goes against an artist’s nature of exploring and not limiting their expression, but as an illustrator, art directors hire you because they want to give a project a specific tone, feeling and they need to be able to count on your work being a certain way for their project, campaign, etc. Imagine if you bought a Metallica CD and it was full of acoustic Bolivian folk music .. you would be kind of confused??? Art directors usually don’t want to play style roulette.Of course, this doesn’t mean you can’t do other styles.. it just means when you present them to art directors have consistency between the body of work. A number of illustrators, writers, and musicians work under various names for this particular reason. For example, my alter ego is Alexander Blue. This is a wackier, colorful style I do.Here is a really good book to read regarding this subject:

The 22 Immutable Laws of Branding
by Al Ries and Laura Ries

Here are a few examples of illustrators/artists with unmistakable styles .. you see their work you know it’s theirs:

• Gary Baseman
• Clayton Brother
• J. Otto Seibold
• Noah Woods
• Calef Brown
• Olaf Hajek
• Michael Slack
• Jeremyville
• James Jean

Technical Skills

It’s hard to execute a good idea if you don’t have the technical skills to do it. Having great technical skills not only allows you to realize your ideas .. but also will save you a ton of time in the long run because you will be much more efficient/responsive when clients have feedback.

I highly recommend Lynda.com’s video tutorial. You pay a monthly subscription fee which gives you access to all the videos you can watch on all the major programs (photoshop, flash, illustrator, aftereffect, and tons more)

They are not paying me a dime to give them a plug … They really make learning easy.

Marketing your illustrations

All your marketing efforts should point back to your web site. A web site is a place where you can centralize information, keep it up to date, and gives the client a few actionable options (contact you via email, phone, subscribe to your RSS feed so they are updated whenever you post new work, book mark a piece of art they like, etc).

So the first thing you need to do is make sure you have a good web site.

• If you don’t already have a domain (example: www.youname.com) you can register you domain name at www.register.com .. All you need is the domain name .. don’t buy any extra services .. it’s not necessary.
• Next, you need a good web hosting company. I use www.site5.com and they are amazing. They have tons of automated tools so you can install a blog at the click of a button.
• Keep it simple - clearly explain what service you are providing - http://www.useit.com/alertbox/20030825.html
• Usability and Search Engine Optimization - Don’t use FLASH, Frames, Pop-ups, Lightbox, etc .. stick with good old fashion XHTML/CSS! I developed Flash web sites for over 10 years .. and for an illustrator’s web site my advice is DON’T USE FLASH! 40% of my web traffic comes from Google alone and by using Flash you are making it hard for search engines to index your site and hindering word of mouth marketing because of a number of usability issues. For example, lots of social bookmarking sites (digg.com, stumbleupon.com, facebook.com, etc) won’t be able to take advantage of specific content on flash sites. http://www.useit.com/alertbox/20001029.html. I have received some really big jobs from clients who found me through Google .. for example DELL Computers
• Unique URL - Make sure every piece of art on your site has a unique url .. you know, in your browser where you type the web address .. no pop ups, no frames, no flash, no lightbox, etc - art directors often forward urls to editors, so you want to facilitate this process and not hinder it. Here is an example of a unique url that will never change. http://www.n8w.com/image/art/green_marketing/. Try Googling “Green Marketing Illustration“
• Update your site Frequently - BLOG/RSS Feed/Return Visitors - most good web hosting companies have an easy way to set up blogs, ask your isp for help or set up one at blogger.com. A blog is good because it will keep your site fresh and most clients are return visitors, so you need to give them a reason to return. Most blogs automatically generate a RSS feed. RSS feeds are not only great for search engine indexing, but more and more people and products, Windows Vista and Mac OS X, are taking advantages of RSS feeds. In a nutshell, RSS allows people to be automatically notified when a web site is updated. I subscribe to lots of illustrators RSS feeds so I can post some of the newest work on illustrationmundo.com.
• Google Analytics - In order to understand what works, you need a good stats system to track your marketing efforts. That will give you an idea what the return on investment is for a specific marketing tactic. Google’s service is the best I have seen and its free, there is no reason not to use it. So a practical way you might use this information is to find out which thumbnail image from your portfolio is the most clicked on, this image might be a good image to use for your postcard mailer because it’s generating the most interest https://www.google.com/analytics/
• Mailing List - once you make a connection with a client you want to keep it .. it takes more money to get a new customer than to sell to an existing one. People that have hired you are more likely to hire you again and again. There are lots of free emailing list options .. google it .. I personally recommend PHP List.

Once you have a good, user friendly, search engine friendly site. Post card mailers are probably the second most cost effective and effective tactic. Lots of times art directors just need to be reminded you exist. That is why I think higher frequency is better than spending a lot of money on one marketing tactic. Don’t put all your eggs in one basket. I would rather spend my money doing 3 postcard mailers a year vs. one big book ad

Cold calls are something you will have to do when starting out .. find magazines, papers, etc that you like or think would be a good fit for you art and contact the art director .. ask them if its okay to send them a few examples of your work. I would never send more than 3 pieces .. they will know what your art work is about after seeing 3 pieces.

Take advantage of online communities .. you will communicate with other artists, share info, find mentors and be more connected to the industry.
http://www.illustrationmundo.com/links.php

Attitude

After working as an art director for Microsoft’s Xbox .. I can’t say how important it is to have a positive attitude. Of course talent is crucial .. but talent isn’t the only thing that gets you work. People are people and it’s always nicer to work with someone that is positive and solution oriented. I used to hire tons of external agencies to create web sites and other online promotional material. All the agencies were extremely talented but those that could talk about their work in an exciting way, were easy to work with and accepted feedback well were the ones I hired over and over again.

I’m not saying do anything the client wants with a smile on your face. You were hired because you are an expert in your field .. articulate the decisions you made and get them excited about your ideas .. but it’s also important to stay positive and flexible.

Informational

You can save yourself a lot of extra work by asking a few questions up front.

First, get the basic information:

• Dimensions
• Resolution
• Color or Black and white
• Important Dates
• etc

If this is the first time working with this person ask them:

• Why did you choose me for this project?(I like your concepts, I like your painterly style, your work is cute and works well for teenage girl magazines, your style is rough and dark and works well for this editorial piece on drug abuse, etc)
• Which pieces of work do you particularly like and why?(I like the man on the boat cause it’s funny, I like all the texture in the piece you did for Converse, etc)
• How did you discover my work?

This will give you a better idea of what the client likes about your work, why they chose you for this particular project and what they expect.

Next, get more information about the job, if it’s a long editorial .. ask them:

• What part of the story do they really want emphasize?
• Is there anything they want to stay away from?
• Do they have any ideas?(This doesn’t necessarily mean to use the idea .. but it will give you a general idea of the path they want to take or what part they think is important/interesting)

Tracking the Work

If you want to make a career out of illustration you will need a good way to keep track of your jobs so you make the deadlines and get paid for your work?

• When are roughs due?
• When are final sketches due?
• Are there any jobs you need to complete?
• Are you too busy to take on more work in a specific month?
• Who hasn’t paid? (http://lessaccounting.com/)

There are a number of ways to keep track of this information. I programmed a little MySQL database application for it .. but you can just as easily track it using a spread sheet or some other existing software. I highly recommend http://www.google.com/calendar

http://www.google.com/calendar

I have a web page for every job where the client and I can keep track of job’s progress .. this page includes:

• the job dates
• contact information
• creative direction/job info
• pencil sketches
• final image
• a link for the client to download the final high resolution file ( It is really helpful to use a service where you can store your high resolution files online.  This will make it easier for you to keep organize and share your files with the people that need them.  I use the service http://www.flipdrive.com )

I created my own solution using php/mysql .. but an easier route might be to do this using a Wordpress or BLOGGER account.

Creating the Work

• Brain storming - get inspired by your environment - I always do my brainstorming and rough sketches outside of my house .. sometimes I take a bus ride with no destination in mind .. sit on a park bench and watch people .. or walk through the city. When you put yourself in new environments you notice things .. you notice subtleties. this is a great way to spark your creativity and start thinking of analogies that might be good for your illustration .. if nothing else it makes your life more interesting.

• using your senses - we interpret the world with our senses .. and the more senses you can engage .. the more memorable your piece will be .. try and think of how the project you are working on relates to touch, taste, smell, sight, etc
• 3 words-I try to think of the best 3 words to describe the subject matter of the illustration
  (motorist, anger, crazy) or (small mountain town, invasion, film)
• symbols-then I try to figure out what best visually represents these words.
  (motorist=car, motorcycle, guy drinking coffee, etc)(anger=red face, hands in the air, fighting, yelling)(crazy=in this case ridiculous situation, motorist and a cyclist in a boxing ring with amazing strength) If you get stuck Google images is a great way to see images associate with specific words.
• Relationships-then I think.. how can I arrange these symbols in a way to convey a point, show a relationship between these symbols .. there are a number of ways to do this .. by how the symbols are interacting (boxing, racing, tied together, on top of each other, etc), their size to one another, their properties (metal=strong, ice=cold)etc

Pencil Sketches

Next you can talk to the client and talk about your ideas .. I prefer just to create pencil sketches, because a lot of the time it’s hard to envision what you are talking about .. and my sketches are extremely rough so they don’t take me more than .. about … 60 seconds … I try to sketch very loose and fast so the focus is on the ideas and not on the craftsmanship .. at this stage of the process it’s all about ideas .. and you don’t want a slow drawing hand to slow them from coming out of your teeming brain.

I usually take pictures of my sketches with a digital camera .. its a lot faster than a scanner and because it’s a rough quality isn’t so important ..

Next I scare my client with my super rough sketches and explain to them .. to just focus on the concepts .. the final piece won’t look exactly like this .. ;)

The client emails/phones their feedback .. usually something something like .. “sketch 4 is great .. but can we emphasis the blah and maybe reduce or take out blah .. make the cat a dog and make the dog a cat .. etc”

Final

My process changes a little for each project .. but this will give you a general idea of how I work.

I create my work in a variety of ways .. sometimes I paint with acrylics, draw with sharpie markers, ball point pens,a wacom tablet, paint with india ink, create textures with water color or photocopy machines, etc .. but basically what I am trying to do is create a library of modular pieces I can, later, put into the computer and rearrange the size, composition, color .. etc .. I really like organic textures and loose free flowing lines .. but as an illustrator with quick turn around times I need to be able to make quick changes and easily incorporate client feedback .. so I mix all these really organic elements in a way that is easy to modify/edit via the computer.

To spark my creativity .. I often re-use pieces from my other works .. basically collaging my own stuff .. maybe a head, or a cloud, or a bike wheel, etc .. this helps me quickly create compositions .. but it’s more just for placement .. I then modify or create new pieces specific to the illustrations needs .. at the end you won’t even recognize most of these pieces .. but it really helps me get started .. breaks the ice .. gets the ball rolling .. etc

Useful Links

Here is a series of editorial images, regarding health, nutrition and winter exercise, I did for Hour Detroit Magazine.

Opening Image

Spot Illustration - Apple on Ice Skates

Winter Flexed Bicep

Various Health related Items

Lose the TV .. go for a run!

Milo turned 15 months today. There is no way to describe the love you have for your own child. It’s truly amazing.

Get the latest Flash Player to see this player.

Music by Edith Piaf

Iani takes care of Milo when he wakes up in the middle of the night. I take him in the morning so she can catch up on sleep. Milo and I go to the park every morning. He likes the swing and the slide the best. Guinea plays with the other dogs at the park and then waits for us outside the gate when she is tired. We then go sit outside a local coffee shop. At this point Guinea is completely wiped out and Milo points at things he wants to investigate .. it usually starts with the packets of sugar .. he looks at the sugar, points, grunts and looks at me. He likes to shake the sugar and listen to the noise.

This morning I was watering the plants in the patio. Guinea likes to jump at the water as it shoots out of the hose. Milo thought this was extremely entertaining and started to imitate her.

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